Sony Verona LED Wall Deployed for Virtual Production
The Studios at WWE, a new 30,040-sq.-ft., state-of-the-art production facility in Stamford, CT, is designed to give both the WWE and external clients new opportunities for production in the New York Tri-State Area. Its five studios feature a cutting-edge virtual-production stage, built in collaboration with AbelCine and Meptik, and the latest-generation technology from Sony Electronics and Disguise.
The five studios include a 5,000-sq.-ft. main studio, 1,500-sq-ft. Cyclorama studio, 1,500-sq.-ft. volumetric LED studio (to open later this spring), and two insert stages of around 600 sq. ft. each (there is also a photo studio that is about 1,000 sq. ft.).
Production technologies will enable WWE to tell more-dynamic stories; enhance production quality, versatility, and efficiency; and serve a broad spectrum of clientele across broadcast, film, and production. The full-service facility also houses two production-control rooms, two live-audio rooms, robotic-camera control, two playback rooms, editing suites, seven post-audio suites, two green rooms, dressing rooms, and office space.
Beyond best-in-class production offerings, The Studios at WWE is equipped with a purpose-built virtual-production stage housed in Studio 3. Although most people associate volumetric LED capture with shows like The Mandalorian, the WWE studio demonstrates that a massive studio with massive LED walls is not necessary for a massive look.
Equipment and service provider AbelCine provided design and installation of camera and lighting for the studios, bringing in Meptik virtual-production specialists, who spearheaded design, installation, and integration of the virtual-production stage. Meptik’s team of creative and technical experts boasts extensive experience in virtual production, having integrated virtual-production workflows for clients ranging from major broadcasters to educational facilities.
The five studios include a 5,000-sq.-ft. main studio, 1,500-sq-ft. Cyclorama studio, 1,500-sq.-ft. volumetric LED studio (to open later this spring), and two insert stages of around 600 sq. ft. each (there is also a photo studio that is about 1,000 sq. ft.).
Production technologies will enable WWE to tell more-dynamic stories; enhance production quality, versatility, and efficiency; and serve a broad spectrum of clientele across broadcast, film, and production. The full-service facility also houses two production-control rooms, two live-audio rooms, robotic-camera control, two playback rooms, editing suites, seven post-audio suites, two green rooms, dressing rooms, and office space.
Beyond best-in-class production offerings, The Studios at WWE is equipped with a purpose-built virtual-production stage housed in Studio 3. Although most people associate volumetric LED capture with shows like The Mandalorian, the WWE studio demonstrates that a massive studio with massive LED walls is not necessary for a massive look.
Equipment and service provider AbelCine provided design and installation of camera and lighting for the studios, bringing in Meptik virtual-production specialists, who spearheaded design, installation, and integration of the virtual-production stage. Meptik’s team of creative and technical experts boasts extensive experience in virtual production, having integrated virtual-production workflows for clients ranging from major broadcasters to educational facilities.
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